The Los Angeles Film Critics Awards, 1980-1989
1989 |
|
| Best Picture | Do the Right Thing, Spike Lee |
| Best Actor | Daniel Day-Lewis, My Left Foot |
| Best Actress | Andie MacDowell, sex,
lies, and videotape Michelle Pfeiffer, The Fabulous Baker Boys |
| Supporting Actor | Danny Aiello, Do the Right Thing |
| Supporting Actress | Brenda Fricker, My Left Foot |
| Director | Spike Lee, Do the Right Thing |
| Screenplay | Gus Van Sant and Daniel Yost, Drugstore Cowboy |
| Cinematography | Michael Ballhaus, The Fabulous Baker Boys |
| Music Score | Bill Lee, Do the Right Thing |
| Foreign film | Distant
Voices/Still Lives, Terence Davies The Story of Women, Claude Chabrol |
| Documentary | Roger & Me, Michael Moore |
| Animation | The Little Mermaid, John Musker and Ron Clements |
| Experimental/Independent Film Award | The Long Weekend (o' Despair), Gregg Araki |
| Special Award | The Margaret Herrick Library of the Academy of Motion Picture Arts and Sciences |
| New Generation award | Laura San Giacomo, sex, lies, and videotape |
1988 |
|
| Best Picture | Little Dorrit, Christine Edzard |
| Best Actor | Tom Hanks, Big and Punchline |
| Best Actress | Christine Lahti, Running on Empty |
| Supporting Actor | Alec Guinness, Little Dorrit |
| Supporting Actress | Genevieve Bujold, Dead Ringers and The Moderns |
| Director | David Cronenberg, Dead Ringers |
| Screenplay | Ron Shelton, Bull Durham |
| Cinematography | Henri Alekan, Wings of Desire |
| Music Score | Mark Isham, The Moderns |
| Foreign film | Wings of Desire, Wim Wenders |
| Documentary | Hotel Terminus: The Life and Times of Klaus Barbie, Marcel Ophuls |
| Experimental/Independent Film Award | The Last of
England, Derek Jarman Amerika, Al Razutis |
| Special Award | Who Framed Roger Rabbit, Robert Zemeckis |
1987 |
|
| Best Picture | Hope and Glory, John Boorman |
| Best Actor | Steve Martin, Roxanne Jack Nicholson, Ironweed and The Witches of Eastwick |
| Best Actress | Holly Hunter, Broadcast
News Sally Kirkland, Anna |
| Supporting Actor | Morgan Freeman, Street Smart |
| Supporting Actress | Olympia Dukakis, Moonstruck |
| Director | John Boorman, Hope and Glory |
| Screenplay | John Boorman, Hope and Glory |
| Cinematography | Vittorio Storaro, The Last Emperor |
| Music Score | David Byrne, Ryuichi Sakamoto and Cong Su, The Last Emperor |
| Foreign film | Au Revoir, Les Enfants (France), Louis Malle |
| Experimental/Independent Film Award | Mala Noche, Gus Van Sant |
| Special Award | Pierre Sauvage, Weapons of the Spirit |
1986 |
|
| Best Picture | Hannah and Her Sisters, Woody Allen |
| Best Actor | Bob Hoskins, Mona Lisa |
| Best Actress | Sandrine Bonnaire, Vagabond |
| Supporting Actor | Dennis Hopper, Blue Velvet and Hoosiers |
| Supporting Actress | Cathy Tyson, Mona Lisa |
| Director | David Lynch, Blue Velvet |
| Screenplay | Woody Allen, Hannah and Her Sisters |
| Cinematography | Chris Menges, The Mission |
| Music Score | Herbie Hancock and Dexter Gordon, Round Midnight |
| Foreign film | Vagabond (France), Agnès Varda |
| Experimental/Independent Film Award | Magdalena Criaga,
Nina Menkes He Stands in the Desert Counting the Seconds of His Life, Jonas Mekas |
1985 |
|
| Best Picture | Brazil, Terry Gilliam |
| Best Actor | William Hurt, Kiss of the Spider Woman |
| Best Actress | Meryl Streep, Out of Africa |
| Supporting Actor | John Gielgud, Plenty and The Shooting Party |
| Supporting Actress | Anjelica Huston, Prizzi's Honor |
| Director | Terry Gilliam, Brazil |
| Screenplay | Terry Gilliam, Charles McKeown, and Tom Stoppard, Brazil |
| Cinematography | David Watkin, Out of Africa |
| Music Score | Toru Takemitsu, Ran |
| Foreign film | Ran,
(Japan) Akira Kurosawa The Official Story (Argentina), Luis Puenzo |
| Experimental/Independent Film Award | Fear of Emptiness, Rosa Von Praunheim |
| Special Award | Claude Lanzmann, Shoah |
1984 |
|
| Best Picture | Amadeus, Miloš Forman |
| Best Actor | F. Murray Abraham, Amadeus Albert Finney, Under the Volcano |
| Best Actress | Kathleen Turner, Crimes of Passion and Romancing the Stone |
| Supporting Actor | Adolph Caesar, A Soldier's Story |
| Supporting Actress | Peggy Ashcroft, A Passage to India |
| Director | Miloš Forman, Amadeus |
| Screenplay | Peter Shaffer, Amadeus |
| Cinematography | Chris Menges, The Killing Fields |
| Music Score | Ennio Morricone, Once Upon a Time in America |
| Foreign film | The Fourth Man (Netherlands), Paul Verhoeven |
| Experimental/Independent Film Award | George Kuchar "for his body of work." |
| Special Award | Andrew Sarris (critic) and François Truffaut (director). |
1983 |
|
| Best Picture | Terms of Endearment, James L. Brooks |
| Best Actor | Robert Duvall, Tender Mercies |
| Best Actress | Shirley MacLaine, Terms of Endearment |
| Supporting Actor | Jack Nicholson, Terms of Endearment |
| Supporting Actress | Linda Hunt, The Year of Living Dangerously |
| Director | James L. Brooks, Terms of Endearment |
| Screenplay | James L. Brooks, Terms of Endearment |
| Cinematography | Sven Nykvist, Fanny and Alexander |
| Music Score | Philip Glass, Koyaanisqatsi |
| Foreign Film | Fanny and Alexander (Sweden), Ingmar Bergman |
| Experimental/Independent Film Award | Michael Snow, So Is This |
| Career Achievement Award | Myrna Loy |
| New Generation Award | Sean Penn (star of Bad Boys -- and, previously, Fast Times at Ridgemont High) |
1982 |
|
| Best Picture | E.T. -- The Extra-Terrestrial, Steven Spielberg |
| Best Actor | Ben Kingsley, Gandhi |
| Best Actress | Meryl Streep, Sophie's Choice |
| Supporting Actor | John Lithgow, The World According to Garp |
| Supporting Actress | Glenn Close, The World According to Garp |
| Director | Steven Spielberg, E.T. -- The Extra-Terrestrial |
| Screenplay | Larry Gelbart and Murray Schisgal, Tootsie |
| Cinematography | Jordan Cronenweth, Blade Runner |
| Music Score | James Horner & The Busboys, 48 HRS. |
| Foreign Film | The Road Warrior/Mad Max 2 (Australia), George Miller |
| Experimental/Independent Film Award | Chan is Missing, Wayne Wang |
| Special Award | Carlo Rimbaldi, "for the body of his work" (creator of E.T. puppet/costume) |
| Career Achievement Award | Robert Preston |
| New Generation Award | Melissa Mathison (screenwriter of E.T. -- The Extra-Terrestrial) |
1981 |
|
| Best Picture | Atlantic City, Louis Malle |
| Best Actor | Burt Lancaster, Atlantic City |
| Best Actress | Meryl Streep, The French Lieutenant's Woman |
| Supporting Actor | John Gielgud, Arthur |
| Supporting Actress | Maureen Stapleton, Reds |
| Director | Warren Beatty, Reds |
| Screenplay | John Guare, Atlantic City |
| Cinematography | Vittorio Storaro, Reds |
| Music Score | Randy Newman, Ragtime |
| Foreign Film | Pixote (Brazil), Hector Babenco |
| Experimental/Independent Film Award | The Art of Worldly Wisdom, Bruce Elder |
| Special Award | Kevin Brownlow, Napoleon |
| Career Achievement Award | Barbara Stanwyck |
| New Generation Award | John Guare (screenwriter of Atlantic City) |
1980 |
|
| Best Picture | Raging Bull, Martin Scorsese |
| Best Actor | Robert De Niro, Raging Bull |
| Best Actess | Sissy Spacek, Coal Miner's Daughter |
| Supporting Actor | Timothy Hutton, Ordinary People |
| Supporting Actress | Mary Steenburgen, Melvin and Howard |
| Director | Roman Polanski, Tess |
| Screenplay | John Sayles, Return of the Secaucus 7 |
| Cinematography | Ghislain Cloquet and Geoffrey Unsworth, Tess |
| Music Score | Ry Cooder, The Long Riders |
| Foreign Film | The Tin Drum (West Germany), Volker Schlöndorff |
| Experimental/Independent Film Awards | Journeys From
Berlin (1971), Yvonne Rainer Demon Lover Diary, Joel Demot |
| Career Achievement Award | Robert Mitchum |
| New Generation Award | Carroll Ballard (director of The Black Stallion) |
